![]() ![]() Howes traces this concept to Alexander Gottlieb Baumgarten’s 1750 Aesthetica, in which: “the aesthetic was rooted in the body, rather than the object, and turned on the disposition to sense acutely. My analysis relies on Howes’ definition of “aesthetics” as “the conjugation of the senses,” in which it is their interplay and not their separation that is key. Nina Levent and Alvaro Pascual-Leone (Lanham, MD: Rowman and Littlefield, 2014), 286. ![]() Sound and Documentary in Cardiff and Miller's Pandemonium Main Menu Welcome The Project Chapter 1: Pandemonium-Sensory Assault and Deprivation Chapter 2: Sound Art-Narrative and Noise Chapter 3: Documentary-“Waking the Dead” Conclusions: Pandemonium, Radical Proximity, and Protest Acknowledgments Bibliography All Media News + Updates Cecilia Wichmann 570c894159ad998517c62537a60758b7099e0270 Footnote 5 1 T08:26:57-07:00 Cecilia Wichmann 570c894159ad998517c62537a60758b7099e0270 5542 3 plain T18:26:11-07:00 Cecilia Wichmann 570c894159ad998517c62537a60758b7099e0270 David Howes, “The Secret of Aesthetics Lies in the Conjugation of the Senses: The Museum as a Sensory Gymnasium,” in The Multisensory Museum: Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space, eds. Baumgarten Alexander G Published by Felix Meiner Verlag, 1983 ISBN 10: 3787305734 ISBN 13: 9783787305735 Seller: Ria Christie Collections, Uxbridge, United Kingdom Seller Rating: Contact seller Book Print on Demand New - Softcover Condition: New US 38.48 Convert currency US 15.52 Shipping From United Kingdom to U.S.A. Please enable Javascript and reload the page. ![]() This site requires Javascript to be turned on. ![]()
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